The thrilling V/H/S anthology franchise returns with a sequel that surpasses its predecessor in quality and original ideas.
Once again someone has been hired to break into a house that is littered with snowy television sets and stacks of VHS tapes; this time a private investigator and his girlfriend have been hired to find a missing college kid by his worried mother. As one of the two searches the house for clues, the other begins to watch the various tapes in a bid to find out what has happened. Unfortunately the tapes do not give any ideas, they just show stories of disturbing and violent footage shot by unknown people; each tape more terrifying than the last. Including footage of a haunting, a suicidal cult, zombies and an alien abduction. As the pair view more and more of the tapes it appears as though watching these may be what has caused the kid to disappear.
What jumps out at me about V/H/S 2 – as it did with the first one – are the original ideas that are just so gripping to watch. Each story is directed by a different person, meaning that each story has a different and fresh take on it; this helps to keep the audience watching in wonder at will come next. What has really been improved on from the original is the length of the video segments; whereas in the first it was five rather short stories that failed to explain their plots well, in the sequel it has been changed to four slightly longer stories that urge you to understand the subject matter more.
Every video tape is incredibly imaginative, the various directors (Adam Wingward, Eduardo Sanchez, Gregg Hale, Timo Tjahjanto, Gareth Huw Evans, Jason Eisener) have not just used a typical horror film narrative, they have added a different aspect to them. For example with the first segment ‘Phase 1: Clinical Trials’, in which a man is fitted with a new eye – that is also a camera –which makes him see dead people, it is not just another ‘The Eye’ film. In the short viewing I assure you that you will be more creeped out and shaken than throughout that entire Jessica Alba flick. Not only that, what the segment offers that is great is an amazing contrast between incredible state-of-the-art technology and simple practical make-up. The variation of these two things showed both ends of the horror time-line put together – the practical effects of the Hammer Horror classics, and the gadgets which are used in a large portion of today’s horror films.
Straight after experiencing the first segment it was obvious that this film was miles ahead of the original; I just hoped that it wouldn’t go downhill from there. It definitely didn’t as the second ‘A Ride In The Park’ took one of my favourite horror monsters – zombies – and span the idea on its head; as we are watching through the Go Pro camera of a recently joined member of the undead. Although the shortest of the videos, its compact size stopped the story, that we have seen many times before, from getting too monotonous.
The third segment ‘Safe Haven’ definitely steals the show, as it just had everything you could have asked for; a creepy vibe throughout, unlimited amounts of gore, an interesting plot and characters that you could get in touch with. The Indonesian based story follows a documentary crew who are filming at the location of a cult who believe they are heading for the gates of paradise, unfortunately the crew are there when they begin their journey…lets just say a lot of blood is spilt. This segment put V/H/S 2 at a much higher standard of horror.
The final tape ‘Slumber Party Alien Abduction’ is pretty self-explanatory from its title, and while it did not leave the film on a bad note, it did have a disappointing low-level of creepiness; something which really is needed in alien themed films.
Although I did really enjoy the first V/H/S film, what really let it down were the video tape segments that never really seemed to go anywhere and were over too quickly; therefore character development was not seen often. Also the shakiness of the hand-held camera was too much at times, I understand that the film makers were trying to make it as realistic as possible but it gets to a point where realism goes out the window, and the audience just can’t make out a single thing on-screen. It is only after viewing V/H/S 2 and re-watching V/H/S that I realised how bad the quality of the first film was, thankfully this, and much more, has been improved upon in the second film.
As I have said many times when reviewing found-footage, it has been done to death now and directors need something new to offer their viewers. V/H/S 2 definitely ticks that box by using new technology such as Go Pros and spy cams throughout the film, perhaps to relate more with a 21st century audience. Something else I look for is the effects that are used on camera, unlike where V/H/S seemed to use gore a lot just to fill spaces in where the plot was lacking – gore for the sake of gore – the sequel gets exactly the right amount. When the effects are used they are incredible and very believable, however they are not over used at any point where they’re not needed.
To sum up V/H/S 2 was a definite step above the first film, and for any fans of found-footage or anthology films I would recommend this. It is one of the most enjoyable horror films that I have seen in a while.
Tag Line: Who’s Tracking You?
Horror Rating: (:-O) (:-O) (:-O) (:-O)
Star Rating: ☆☆☆☆